{"id":254,"date":"2018-01-27T18:14:05","date_gmt":"2018-01-27T18:14:05","guid":{"rendered":"https:\/\/vrobserver.wpengine.com\/?p=254"},"modified":"2019-03-11T18:17:51","modified_gmt":"2019-03-11T18:17:51","slug":"where-goes-vr-after-sundance-film-fest","status":"publish","type":"post","link":"https:\/\/virtualrealityobserver.com\/where-goes-vr-after-sundance-film-fest\/","title":{"rendered":"WHERE GOES VR AFTER SUNDANCE FILM FEST?"},"content":{"rendered":"\n<p>For the last few years, virtual reality has evolved into a major feature at the iconic Sundance Film Festival; however, some industry experts are wondering what\u2019s next for VR films.\u00a0 While the industry has embraced 360-degree filmmaking as an art, evidence of the potential for significant revenue streams from the technology is lacking. Chris Milk and Aaron Koblin, cofounders of VR studio\u00a0Within, see a future in VR, AI, and AR where the technology serves more as transmission tools, \u201cnot something that you just see in amusements parks or film festivals.\u201d<\/p>\n\n\n\n<p><a href=\"https:\/\/www.wired.com\/story\/sundance-vr-crossroads\">https:\/\/www.wired.com\/story\/sundance-vr-crossroads<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the last few years, virtual reality has evolved into a major feature at the iconic Sundance Film Festival; however,<\/p>\n","protected":false},"author":5,"featured_media":255,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[18,12,20],"class_list":["post-254","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digest","tag-360-video","tag-virtual-reality","tag-virtual-reality-movies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>WHERE GOES VR AFTER SUNDANCE FILM FEST? 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