{"id":1416,"date":"2024-03-25T12:21:59","date_gmt":"2024-03-25T20:21:59","guid":{"rendered":"https:\/\/virtualrealityobserver.com\/?p=1416"},"modified":"2024-03-25T12:22:03","modified_gmt":"2024-03-25T20:22:03","slug":"avenged-sevenfold-and-next-gen-vr-concerts","status":"publish","type":"post","link":"https:\/\/virtualrealityobserver.com\/avenged-sevenfold-and-next-gen-vr-concerts\/","title":{"rendered":"Avenged Sevenfold and Next Gen VR Concerts"},"content":{"rendered":"\n

From the Elvis \u201968 Comeback Special to Stop Making Sense to Taylor Swift: the Eras Tour, musical concert films have long been a way for artists to reach new and existing audiences in a compelling, immersive way. Now that VR has taken hold of concert broadcasting and delivered inspired shows from the likes of Foo Fighters, Doja Cat, and, most recently, Avenged Sevenfold.<\/p>\n\n\n\n

Los Angeles-based AmazeVR has produced a 26-minute Avenged Sevenfold<\/a> VR concert experience featuring the band\u2019s songs Mattel, Hail to the King, Interlude – (D)eath, Nightmare, and Nobody. \u2018Looking Inside\u2019 promises to bring fans as close as possible to the band, the performance, and the songs while also adding VR elements that surpass any real-world special stage effects. Described by vocalist M. Shadows as \u201csimply a new experience\u2026 one of which we have never seen like this before,\u201d \u2018Looking Inside\u2019 sees the band perform among virtual landscapes and 3D light shows as directed by AmazeVR\u2019s Lance Drake. <\/p>\n\n\n\n

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